By Farah Karim Cooper
Providing an research of gesture, contact, ability and dismemberment in various Shakespeare's works, it indicates how the hand was once perceived in Shakespeare's time as a hallmark of human employer, emotion, social and private id. It demonstrates how the hand and its actions are defined and embedded in Shakespeare's texts and approximately its function at the Shakespearean level: as a part of the actor's physique, within the language as metaphor, and as a morbid stage-prop. realizing the cultural signifiers that lie in the back of the early smooth knowing of the hand and gesture, opens up new and infrequently stressful methods of interpreting and seeing Shakespeare's plays.
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Extra resources for The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment (Arden Shakespeare)
The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment (Arden Shakespeare) by Farah Karim Cooper