By Kriss Ravetto-Biagioli
In shut readings of such motion pictures as Sokurov’s Russian Ark (2002) and Godard’s Notre Musique (2004), Ravetto-Biagioli demonstrates the ways that those filmmakers interact and review the new reconceptualization of Europe’s borders, mythic figures, and identification paradoxes. Her paintings not just analyzes how those filmmakers thematically deal with the assumption of Europe but additionally how their paintings questions the power of the relocating photo to problem traditional methods of figuring out history.
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Mythopoetic Cinema: On the Ruins of European Identity by Kriss Ravetto-Biagioli