By Chris Fujiwara
an in depth exam of the director’s complete physique of labor unearths that these components most blatant within the Tourneur-Lewton collaborations—the loss of monsters and the stylized use of prompt violence—are both obvious in Tourneur’s motion pictures earlier than and after his paintings with Lewton. secret and sensuality have been hallmarks of his kind, and he possessed a hugely creative visible and aural type. This insightful severe research examines every one of Tourneur’s movies, in addition to his vast paintings on MGM shorts (1936–1942) and in tv. What emerges is facts of a hugely coherent directorial kind that runs all through Tourneur’s works.
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Additional info for Jacques Tourneur: The Cinema of Nightfall
Jacques Tourneur: The Cinema of Nightfall by Chris Fujiwara