By Ebrahim Moosa
Moosa employs the topic of the edge, or dihliz, the gap from which Ghaz&257;l&299; himself engaged the various currents of suggestion in his day, and proposes that modern Muslims who desire to position their very own traditions in dialog with glossy traditions reflect on an analogous vantage element. Moosa argues that by way of incorporating parts of Islamic theology, neoplatonic mysticism, and Aristotelian philosophy, Ghaz&257;l&299;'s paintings epitomizes the concept the solutions to life's complicated realities don't live in one tradition or highbrow culture. Ghaz&257;l&299;'s emphasis on poiesis--creativity, mind's eye, and freedom of thought--provides a sorely wanted version for a worldly highbrow renewal between Muslims, Moosa argues. the sort of inventive and important inheritance, he concludes, needs to be heeded via those that search to domesticate Muslim highbrow traditions in present day tumultuous world.
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Extra info for Ghazali and the Poetics of Imagination (Islamic Civilization and Muslim Networks)
Ghazali and the Poetics of Imagination (Islamic Civilization and Muslim Networks) by Ebrahim Moosa