By Roger Scruton
Death-Devoted Heart explodes this tested interpretation, proving the drama to be greater than only a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound spiritual that means and continues to be as appropriate at the present time because it was once to Wagner's contemporaries. He additionally bargains willing perception into the character of erotic love, the sacred features of human ardour, and the extraordinary position of the erotic in our tradition. His argument touches at the nature of tragedy, the importance of formality sacrifice, and the which means of redemption, offering a clean interpretation of Wagner's masterpiece. Roger Scruton has written an unique and provocative account of Wagner's song drama, which blends philosophy, feedback, and musicology so one can express the work's significance within the twenty-first century.
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Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde by Roger Scruton