By Brian K. Etter
Between Transcendence and Historicism explores Hegel’s aesthetics in the greater context of the culture of theoretical mirrored image to stress its distinct skill to account for standard inventive perform. Arguing that the concept that of the moral is relevant to Hegel’s philosophy of artwork, Brian ok. Etter examines the poverty of modernist aesthetic theories not like the confirmation through Hegel of the need of artwork. He makes a speciality of the person arts in better element than is in general performed for Hegel’s aesthetics, and considers how the twin structure of the moral nature of artwork might be justified, either inside of Hegel’s personal philosophical method and when it comes to its relevance to the dilemmas of recent social lifestyles. Etter concludes that the humanities have a accountability to symbolize the goodness of lifestyles, the appropriate, and the moral lifestyles in dignifying the metaxological realm via their beauty.
Brian ok. Etter (1954–2005) was once affiliate Professor in Humanities at Kettering college and the writer of From Classicism to Modernism: Western Musical tradition and the Metaphysics of Order.
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Extra info for Between Transcendence and Historicism: The Ethical Nature of the Arts in Hegelian Aesthetics (SUNY Series in Hegelian Studies)
Between Transcendence and Historicism: The Ethical Nature of the Arts in Hegelian Aesthetics (SUNY Series in Hegelian Studies) by Brian K. Etter